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Friday, December 27, 2024

Behind the Curtain: Reflecting on Challenges and Resilience


By the Ellie Caulkins Normal & Inventive Director Greg Carpenter

The summer season is at all times a busy time of 12 months, as we put the ending touches on the season we’ll launch in November and start the planning and budgeting course of for the next season. This summer season was no exception, and if something, even busier and extra difficult than typical.

On the finish of our 2023-24 Season, it change into obvious that we wanted to rethink our programming mannequin going ahead, because the extraordinary enhance in bills over the previous three years have been far outpacing our potential to lift the required funds. As I had talked about throughout my common curtain speeches final season, firms all around the United States are going through comparable budgetary challenges by lowering the variety of productions and/or the variety of performances to make ends meet, and the time for us to do the identical got here on the finish of Could.

With artists and manufacturing personnel already contracted for the 2024-25 Season, we went to work on discovering methods to share their distinctive skills whereas offering programming for the spring of 2025 that might excite and delight our patrons. This required us to scrap our authentic finances and start the budgeting and planning course of anew. That course of often takes about 9 months, so we needed to compact that into a brief three-month interval, whereas placing all of the mechanisms in place to promote our new programming and search approval from the Board of Administrators to maneuver ahead.

Daughter of the Regiment. Picture by Minnesota Opera/Dan Norman

With the announcement of our new spring programming earlier this month, we’re again on observe and prepared for a terrific season of grand opera on the Ellie Caulkins Opera Home and all through our group. I’m particularly excited to be launching the season with a energetic manufacturing of Donizetti’s comedy Daughter of the Regiment, by no means introduced by Opera Colorado in our forty-two-year historical past. This manufacturing is certain to lighten our spirits and join us to why we love opera; nice singing and music making, participating storytelling, and a visible feast in your eyes. After all, everybody’s favourite Puccini opera La bohéme will deliver a tear to your eye and heat your coronary heart this winter. And with the spring comes two semi-staged live performance performances of Il trovatore and a gala live performance of opera favorites that includes a spectacular solid with the Opera Colorado Orchestra and Refrain.

I’ve skilled the ups and downs of the performing arts trade over my twenty-year tenure with Opera Colorado. From the 2008 financial recession to the COVID-19 pandemic, we’re topic to exterior forces which might be troublesome to arrange for and difficult to navigate. Nevertheless, we’re a resilient group centered on serving our group and guaranteeing that opera and the humanities thrive in Denver and all through the state.

As we navigate transition to new programming and a brand new chief on the finish of this season, I’m ever grateful for the loyalty and generosity of our patrons. I’m grateful in your endurance this summer season whereas we labored tirelessly to make troublesome decisions and rework our programming and finances, and I specific my deepest gratitude in your help.

I sit up for celebrating grand opera and Opera Colorado all season and to seeing you usually!

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