Okay, dishonest a bit right here, however Naoki Urasawa’s “Monster” (first made as a manga, then an anime) is one in every of my favourite serial killer tales ever. It hasn’t been made right into a film or live-action TV sequence but (regardless of Guillermo del Toro’s efforts) so I am going to give it solely an honorable point out.
Set in Nineteen Nineties Germany, “Monster” is modeled on “The Fugitive” — Dr. Kenzo Tenma is searching his former affected person Johan Liebert, a toddler who grew up right into a serial killer years after Tenma saved his life. Tenma’s palms have saved many lives, but after they revived Johan, he unknowingly let evil unfastened on the world. With a view to fulfill his Hippocratic Oath, he believes he should break it simply as soon as.
It is a terrific premise for a thriller sequence, with each suspense and high-minded questions baked in. “Monster” is an extended, twisty sequence however by no means milks its story (a downright miracle for a long-running comedian sequence). Should you’re not an anime fan however do like horror-thriller films like those on this record, “Monster” ought to be up your alley.
“Longlegs” quotes from the E book of Revelation 13:1-4, a well-known passage describing the facility of Devil:
“And I noticed a beast stand up out of the ocean, having seven heads and ten horns, and upon his horns ten crowns, and upon his heads the title of blasphemy. They usually worshiped the dragon which gave energy unto the beast, they usually worshiped the beast, saying, ‘Who’s like unto the beast? Who is ready to make warfare with him?'”
“Monster” opens with this similar passage, promising its viewers a descent into darkness — but, within the final sentence, there’s additionally some hope that evil will be overcome.