“The encounter with Weill’s music, which I had by no means heard earlier than as a result of it was not allowed to be performed within the Third Reich, was completely overwhelming for me as a result of it opened up a tonal however utterly new sound world,” Mr. Reimann stated in a 2018 interview for his former secondary faculty’s annual publication.
He additionally started composing quick works for piano at 10. Shortly after, he accompanied his mom’s vocal college students at concert events.
In 1955, after graduating from highschool, he labored on the newly based opera studio of the Städtische Oper Berlin, now the Deutsche Oper, whereas taking composition and piano lessons on the metropolis’s music conservatory. He additionally briefly studied musicology on the College of Vienna.
Considered one of his professors on the Berlin conservatory was the influential German composer Boris Blacher, who suggested Mr. Reimann to keep away from the avant-garde hubs of Darmstadt and Donaueschingen — incubators of recent music with reputations for being experimental however dogmatic — and as an alternative to forge his personal path. Doing so, he distinguished himself from older contemporaries, like Karlheinz Stockhausen and Hans Werner Henze, and all through his lengthy profession he remained radically particular person, even solitary, as an artist who by no means belonged to any musical motion or faculty.
Beginning in his 20s, Mr. Reimann accompanied Mr. Fischer-Dieskau and the mezzo-soprano Brigitte Fassbaender in recitals and wrote music for them. All through his profession he remained a sought-after and often recorded accompanist, and he championed younger composers by way of the institution of the Busoni Composition Prize in 1988 and the Aribert Reimann Basis, which was based in 2006.
In 1962, his live performance piece “Fünf Gedichte von Paul Celan,” or “5 Poems by Paul Celan,” premiered on the Berliner Festwochen, an annual performing arts pageant, with Mr. Fischer-Dieskau as soloist. Mr. Reimann had met Mr. Celan, a Jewish Romanian poet who had survived the Holocaust, in Paris in 1957, and was among the many first to set his haunting German-language poems to music. Mr. Reimann returned to Mr. Celan’s poetry in 1971, a 12 months after the author died by suicide, for “Zyklus,” a setting of six poems in a single motion of about 20 minutes.
