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Friday, December 27, 2024

Samson and Delilah 101: Director’s Notes


Headshot of a woman with shoulder-length brown hair and green eyes

Samson and Delilah is a story that has seen many iterations. It originated within the bible and has made its method into wonderful artwork and music. Every time, a novel take provides to the presentation of the story. Our director for Samson and Delilah, Keturah Stickann, will probably be bringing her perspective to this opera in Could.

Study extra about Samson and Delilah, on stage on the Ellie Caulkins Opera Home on Could 4, 7, 10, 12>>

SAMSON AND DELILAH ORIGINS

Camille Saint-Saëns first got down to write an oratorio across the story of Samson and Delilah. Fortunately, librettist Ferdinand Lemaire instructed the work be written as an opera as an alternative of a choral work. Aren’t we glad he did? We are able to actually hear the oratorio origins, particularly within the beginnings of the primary act. Then, the piece blossoms into the beautiful dance that solely French opera can provide us.

DANCER BACKGROUND

Being a former dancer and typically choreographer, I like the wedding of dance and vocal fireworks that French opera presents us. Motion’s marriage to music is a large a part of the storytelling. I adore it while you pair dance with luxurious vocals. I believe that’s why I used to be drawn to French repertorie from the very starting of my profession. After all, Samson and Dalilah has probably the most well-known dances within the operatic repertoire: the Bacchanale in act three. Nonetheless, there may be additionally a sensuous ballet in Act I, and even Delilah’s most well-known aria, “Mon cœur s’ouvre à ta voix,” carries a sinewy balletic line.

Study extra about dance parts in opera>>

ELEVATED EMOTIONS

Painting of a man standing over a lion holding its mouth open
“Sansón matando al león”
by Pedro Pablo Rubens

In Saint-Saëns’s time, individuals expressed alarm at a biblical topic on the stage. I like telling biblical tales as a result of, like all nice operas, they carry heightened variations of the feelings and humanity we maintain in our hearts at present. Samson, by all accounts, is a superhero, killing a lion along with his naked palms, and mowing down hundreds of his enemies with nothing however the jawbone of a donkey. He needs nothing however to hold his individuals to freedom and glory, however he has a weak point in his love for Delilah.

Delilah is a girl typically portrayed as treacherous and evil who, for me, is doing the identical factor as Samson: utilizing her strengths to save lots of her individuals from a sworn enemy. That is the crux of the human race. We’re all so related in our needs and humanness but discovering causes to hate one another inevitably tears us aside. What might have occurred had the story of Samson and Delilah been merely about their love?

CREATING SAMSON AND DELILAH

Headshot of a woman with dark curly hair
Choreographer Rachael Harding

It takes a village to inform a narrative like this, and Opera Colorado has given me an incredible one. I’d prefer to level out two girls who’re strolling by means of this fireplace with me. Rachael Harding is my choreographer of the 2 ballets. As a choreographer myself, having somebody who can put their power into two unbelievable feats of dance whereas I focus on the route is a luxurious. I additionally love collaborating on storytelling whereas talking in “dance converse.” Frances Rabalais is my Intimacy Director and Assistant Director. She is there to cross my “t’s” and dot my “i’s” which is superb sufficient. However her enter into the intimate sequences solely provides to the facility of the story. I’m grateful to those two girls for standing on either side of me, and to your complete workforce for bringing this highly effective piece to life.

-Keturah Stickann, Director for Samson and Delilah

Keturah Stickann Signature

Expertise Keturah Stickann’s perspective on Samson and Delilah for your self. Get tickets at present>>

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