As quickly as Mdou Moctar plugs in on the Tiny Desk, the Saharan shred begins. The music feels midstream, as if the licks by no means stop in his fingers — guitar strings bend with the utmost gentility, however, instantly, set hearth to the fretboard.
Born and primarily based in Niger, Moctar comes from the Tuareg custom: hypnotic desert blues that swim in rock distortion. (Suppose Tinariwen, Bombino and Al Bilali Soudan, all of whom have performed Tiny Desk in their very own distinct types.) For greater than a decade, Moctar has constructed an intensive repertoire that not solely mesmerizes musically but in addition speaks to the enjoyment of his homeland and resistance to those that exploit its folks.
In contrast to his acoustic-driven Tiny Desk (dwelling) live performance, Moctar and his berobed band right here play up the chunky riffs and body-rattling quantity of 2024’s Funeral for Justice: Orange amps, Fender Strats and, for this event, a kick-and-djembe combo that completely whips. Moctar’s purpose is true: a plea, in Tamasheq, to protect Niger’s native tongue (“Imouhar”); a protest towards politicians who promote out Africa’s land and sources (“Funeral for Justice”); a battle versus inside demons (“Takoba”). In these songs, there’s a righteous fury, to make certain, but in addition a reminder that the great battle is all the time price preventing.
SET LIST
- “Imouhar”
- “Funeral for Justice”
- “Takoba”
MUSICIANS
- Mdou Moctar: guitar, vocals
- Ahmoudou Madassane: guitar, vocals
- Souleymane Ibrahim: drums, vocals
- Mikey Coltun: bass, vocals
TINY DESK TEAM
- Producer: Lars Gotrich
- Director/Editor: Kara Body
- Audio Technical Director: Neil Tevault
- Host/Sequence Producer: Bobby Carter
- Videographers: Kara Body, Maia Stern, Joshua Bryant, Alanté Serene
- Audio Engineer: Josephine Nyounai
- Manufacturing Assistant: Ashley Pointer
- Photographer: Zayrha Rodriguez
- Tiny Desk Copy Editor: Hazel Cills
- Government Producer: Suraya Mohamed
- Sequence Creators: Bob Boilen, Stephen Thompson
- VP, Visuals and Music: Keith Jenkins
